typingnoise: (Default)
there’s a strange, tender kind of belonging that doesn’t always come wrapped in permanence. sometimes home isn’t a place with walls or a roof — it’s a person, or a few people, with whom you let your guard down, where your edges soften, and you catch your breath.

i think of those fleeting moments, the small pockets of time where you’re not just tolerated but fully seen. the friend whose couch became your refuge on a stormy night; the stranger who became a companion on a trip you never expected to take; the lover whose hands made the world feel less sharp, even if only for a handful of days.

home, in these moments, is less about geography and more about spirit. it’s the quiet understanding shared over a cup of tea, the laughter that feels like a secret language, the comfortable silences that don’t demand explanation.

i carry these homes inside me — folded gently like worn letters in a box — knowing they shaped me even if they didn’t last. some homes you make are brief, like a song you play once but never forget. others linger longer, imprinting on your skin and memory.

and sometimes, the most profound home is the one you find inside yourself after all the others have slipped away. but the echoes of those who made space for you, who let you be, whisper still, reminding you that belonging is possible, even if temporary.

who have you made home with, even for a little while?
typingnoise: (Default)
not a person. not really.
i’ve tried before and it never sticks — faces and stories knot into the spine. there are songs i can’t play anymore because they still smell like someone’s cigarettes and aftershave and the lies they told. but i wouldn’t erase them, not even the worst of it. some things hurt in ways that sharpen you.

but if i could forget something completely, like shaking water from my sleeves, like it was never mine to carry —
i’d leave behind the feeling that i had to earn love by being useful.

you know the one.
the low thrum in your chest that says: be good. be helpful. be quiet. make the tea, learn their moods, edit their sentences, always understand.
and if you get it right, they’ll stay.
and if they leave, it’s because you failed.

i’d leave behind that lesson.
the one they never meant to teach, or maybe they did.
either way, it settled deep.
and i’ve been trying to unlearn it ever since, gently, the way you’d untangle fishing line from seaweed — patient, wet work.

if i could forget it completely, i think i’d be softer.
less afraid of needing things.
i’d speak quicker. i’d ask for the window seat. i’d tell someone not to touch me when i didn’t want to be touched, and i’d believe that was enough of a reason.

i don’t want to forget the versions of me that survived it.
but i’d leave behind the voice that told them that survival meant staying small.

and you?
what would you lay down, if forgetting it meant being free?
typingnoise: (i'm still here)
I must’ve been about nine. That loose, liminal age where your sense of self is still made of borrowed scraps — the way your mum parts her hair, the songs your older cousin plays in the car, the smell of someone else's house that you think might be better than yours. I was wearing a jumper too big for me and shoes that squeaked on the assembly hall floor. It was a Thursday, which meant recorder practice, custard, and the boy with the chipped front tooth.

He was cool in the effortless way of kids who don’t try. I, meanwhile, tried so hard I nearly tipped over with it. I remember clutching The Secret Garden, trying to look like I understood the sadness of it all. I remember drawing a crow in blue biro on my pencil case. I remember laughing — too loud — when he said something vaguely funny, because I wanted to be seen. Not liked, necessarily. Just noticed. Just enough to change the temperature of the room when I walked in.

That was the first time I remember wanting to impress someone. Not because I wanted them to love me. I didn’t even know what that meant yet. But because I wanted to be something. Interesting. Strange, but in a curated way. Worth the space I took up.

Of course, he barely looked my way. Of course, I pretended I didn’t care. But that flicker — of trying to be shinier, cleverer, a little more like someone he'd remember — has never really left me. It’s just evolved: into mixes burned at midnight, book recommendations too carefully chosen, eyeliner sharp enough to wound.

Funny how a moment that small can echo for years.
typingnoise: (sad songs & better endings variant)
 They say you never forget your first heartbreak — mine came with a horn section and a deceptively cheerful chorus.

The Beautiful South taught me early that melancholy wears many disguises: a chipper piano line, a baritone muttering something brutal, a chorus you’ll hum in the supermarket and cry about in the car. No band was ever so polite about devastation. “Don’t Marry Her” is a hymn for bitter hope, “Prettiest Eyes” a love song that remembers time isn’t kind, and “Rotterdam” — well, that one just knows.

And then there’s Phil Collins.

Phil, patron saint of the emotionally inconvenient. His voice lives somewhere between a sigh and a plea, and I believed every word even before I understood what they meant. “Against All Odds” is a thunderstorm in slow motion. “Take Me Home” feels like walking alone in a city lit by sodium streetlamps. And “In the Air Tonight”? That’s a song you survive.

These are the artists who made it okay to feel too much, too often. Who said, yes, it’s absurd to be so wounded by ordinary life — but here’s a melody for that. Here’s a drum break that will make your chest cave in. Here’s a line you’ll repeat until it stops hurting, or until it does again.

So this is my love letter: to the unpretentious poetry of pop, to the way sadness sneaks into our softest places via FM radio, to songs that sound like walking home in the rain with your hands in your pockets. To The Beautiful South. To Phil Collins. To every moment that needed their voices.

You helped me name it. You helped me carry it. You helped me dance anyway.

Profile

typingnoise: (Default)
Rowan

about me

rowan (they/them)

42 · queer · northern england

scorpio sun, cardigan soul

librarian by day / vinyl night dj for sad hearts

writes like a love letter, edits like a ghost

cat: lionel. not your friend.


journal & personal
daily life — for the small, soft chronicles
personal — general self-reflection
memory work — past recollections, nostalgia
mental weather — moods, emotional check-ins
soft epiphanies — realisations, clarity moments
grief & ghosts — for loss, absence, echoes

meta & thoughts
media thoughts — essays, critiques, deep dives
character studies — exploration of fictional people
themes & threads — recurring motifs, big picture
queer readings — interpretations through a queer lens
things i’m turning over — ideas in progress

rambles & essays
thinking out loud — messy, meandering entries
on love & other disasters — heart-thoughts
overheard in my head — internal monologue excerpts
note to self — affirmations, reminders, truths

reviews & reactions
read lately — books, zines, fanfic
watched lately — films, series, video essays
heard lately — albums, playlists, soundtracks
feelings about media — when the media hits hard
softly obsessed with — hyperfixations, favourites

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